MARC details
000 -LÍDER |
fixed length control field |
02578cam a22002894a 4500 |
001 - NÚMERO DE CONTROL |
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u354229 |
003 - IDENTIFICADOR DEL NÚMERO DE CONTROL |
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SIRSI |
005 - FECHA Y HORA DE LA ULTIMA TRANSACCIÓN |
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20160812075219.0 |
008 - ELEMENTOS DE LONGITUD FIJA -- INFORMACIÓN GENERAL |
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140701s2011 enkaf b 001 0 eng |
010 ## - NÚMERO DE CONTROL DE LA BIBLIOTECA DEL CONGRESO |
LC control number |
2011047516 |
020 ## - NÚMERO INTERNACIONAL NORMALIZADO PARA LIBROS |
International Standard Book Number |
9781844574360 (pbk.) |
020 ## - NÚMERO INTERNACIONAL NORMALIZADO PARA LIBROS |
International Standard Book Number |
1844574369 (pbk.) |
040 ## - FUENTE DE CATALOGACIÓN |
Transcribing agency |
MX-MeUAM |
050 #0 - SIGNATURA TOPOGRÁFICA DE LA BIBLIOTECA DEL CONGRESO |
Classification number |
PN1995.9.E96 |
Item number |
R39 2011 |
100 1# - ASIENTO PRINCIPAL--NOMBRE PERSONAL |
Personal name |
Rees, A. L. |
245 12 - MENCIÓN DE TITULO |
Title |
A history of experimental film and video : |
Remainder of title |
from the canonical avant-garde to contemporary British practice / |
Statement of responsibility, etc. |
A.L. Rees. |
250 ## - MENCIÓN DE EDICIÓN |
Edition statement |
2nd ed. |
260 ## - PUBLICACIÓN, DISTRIBUCIÓN, ETC. (PIE DE IMPRENTA) |
Place of publication, distribution, etc. |
[Houndmills, Basingstoke, Hampshire] : |
Name of publisher, distributor, etc. |
Palgrave Macmillan ; |
Place of publication, distribution, etc. |
London : |
Name of publisher, distributor, etc. |
British Film Institute, |
Date of publication, distribution, etc. |
2011. |
300 ## - DESCRIPCIÓN FÍSICA |
Extent |
xii, 196 p., [16] p. of plates : |
Other physical details |
ill. (some col.) ; |
Dimensions |
24 cm. |
520 ## - NOTA DE RESUMEN, ETC. |
Summary, etc. |
"This new edition covers the history of avante-garde film and video, ranging from Cezanne and dada, via Cocteau, Brakhage and Le Grice, to the new wave of British video artists in the 1990s. The author also reconstitutes the avante-garde film as an independent form of art practice with its own internal logic and aesthetic discourse"-- |
Assigning source |
Provided by publisher. |
504 ## - NOTA DE BIBLIOGRAFÍA, ETC. |
Bibliography, etc |
Includes bibliographical references and index. |
505 8# - NOTA DE CONTENIDO |
Formatted contents note |
Machine generated contents note: -- Contents -- Acknowledgements -- List of Illustrations -- Preface -- Introduction -- Sitting the Avant-Garde -- Vision Machine -- Time Base -- Point of View -- Modernisms -- PART I: TTHE CANONICAL AVANT-GARDE -- Origins of the Moving Image (1780-1880) -- Photography -- Art and the Avant-Garde: Summary 1909-20 -- The Cubists -- Primitives and Pioneers (1880-1915) -- Futurists -- Abstract Film -- The Comic Burlesque -- The Art Cinema and its Circuit -- Cine-Poems and Lyric Abstraction -- Origins of Abstract Film -- The Absolute Film -- Cubism and Poular Film -- Dada and Surrealist Film -- The French Avant-Garde 1924-32 -- Voice and Vision in the Pre-War Avant-Garde -- Transition: into the 1930s and Documentary -- Reviewing the First Avant-Garde -- Underground -- Two Avant-Gardes (Mark 1)? -- Structural -- PART II: BRITAIN, 1966-98 -- English Structuralists -- Primitives and Post-Structralists -- Video Stirs -- Art and Politics -- A cinema of Small Gestures -- Rebel Waves -- Art Cinema's Odd Couple: Derek Jarman and Peter Greenaway -- New Pluralism -- Black British -- Electronic Arts -- yBa -- "Where are we now?" -- Points of Resistance -- Notes -- Bibliography -- Index. |
596 ## - |
-- |
4 |
650 #0 - ASIENTO SECUNDARIO DE MATERIA - TERMINO TEMÁTICO |
Topical term or geographic name as entry element |
Experimental films |
General subdivision |
History and criticism. |
650 #0 - ASIENTO SECUNDARIO DE MATERIA - TERMINO TEMÁTICO |
Topical term or geographic name as entry element |
Experimental films |
Geographic subdivision |
Great Britain |
General subdivision |
History and criticism. |
942 ## - TIPO DE MATERIAL (KOHA) |
Koha item type |
Libro |