Artistic Judgement (Registro nro. 206081)

MARC details
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001 - NÚMERO DE CONTROL
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003 - IDENTIFICADOR DEL NÚMERO DE CONTROL
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005 - FECHA Y HORA DE LA ULTIMA TRANSACCIÓN
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007 - CAMPO FIJO DE DESCRIPCIÓN FIJA--INFORMACIÓN GENERAL
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020 ## - NÚMERO INTERNACIONAL NORMALIZADO PARA LIBROS
International Standard Book Number 9789400700314
-- 978-94-007-0031-4
040 ## - FUENTE DE CATALOGACIÓN
Transcribing agency MX-MeUAM
050 #4 - SIGNATURA TOPOGRÁFICA DE LA BIBLIOTECA DEL CONGRESO
Classification number BH1-301
082 04 - NÚMERO DE CLASIFICACIÓN DECIMAL DEWEY
Classification number 111.85
Edition number 23
100 1# - ASIENTO PRINCIPAL--NOMBRE PERSONAL
Personal name McFee, Graham.
Relator term author.
245 10 - MENCIÓN DE TITULO
Title Artistic Judgement
Medium [recurso electrónico] :
Remainder of title A Framework for Philosophical Aesthetics /
Statement of responsibility, etc. by Graham McFee.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Dordrecht :
Name of producer, publisher, distributor, manufacturer Springer Netherlands,
Date of production, publication, distribution, manufacture, or copyright notice 2011.
300 ## - DESCRIPCIÓN FÍSICA
Extent XII, 196 p.
Other physical details online resource.
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
347 ## - DIGITAL FILE CHARACTERISTICS
File type text file
Encoding format PDF
Source rda
490 1# - MENCIÓN DE SERIE
Series statement Philosophical Studies Series ;
Volume/sequential designation 115
505 0# - NOTA DE CONTENIDO
Formatted contents note Preface -- Chapter One: The Artistic and The Aesthetic: A Distinction Considered. - 1.1 A crucial distinction -- 1.2 Transfiguration and artistic properties- 1.3 Some corollaries of the distinction -- 1.4 Contrasting views of the aesthetic -- 1.5 The artistic as sensuous?- 1.6The ‘ambiguity’ of artistic properties -- 1.7 An example: the case of Marla -- 1.8 Exploring the contrast: methodology -- 1.9 Outline of this work -- 1.10 On not defining art -- Chapter Two: Art, Meaning and Occasion-Sensitivity -- 2.1 Meaning meaning -- 2.2 Exceptions (a): dealing with defeasibility -- 2.3 Exceptions (b): disambiguation?- 2.4 An occasion-sensitive view of meaning and understanding -- 2.5 Contextualism in philosophical aesthetics -- 2.6 Competent judges -- 2.7 Meaning, explaining, and artistic properties -- 2.8 Meaning, explanation and content -- 2.9 The context of philosophical aesthetics -- Chapter Three: Art and Life-Issues: Meeting Counter-Cases -- 3.1 Artistic value and life-issues -- 3.2 Life-issues connection to artworks?- 3.3 The importance of life-issues -- 3.4. Learning from art?- 3.5 Art and moral value: moderate moralism, ethicism -- 3.6 A seven-part strategy -- 3.7 Literary value and moral understanding: Nussbaum -- 3.8 A conflict between morality and art?- 3.9 Conclusion -- Chapter Four: Intention, Authorship and Artistic Realism -- 4.1 The intention of the artist -- 4.2 Excursus: Hypothetical intentionalism and its discontents -- 4.3 The embodiment of artistic meaning -- 4.4 Making meaning: the concept “art” -- 4.5 Making sense: ‘history of production’ -- 4.6 Response-reliance and artistic properties -- 4.7 Understanding and criticism -- 4.8 Criticism and inference -- 4.9 The ‘reality’ of artistic properties -- Chapter Five: The Historical Character of Art -- 5.1 Precursors and the past -- 5.2 Art, change of meaning and standard historicism -- 5.3 Forward retroactivism, and the threat of misperception -- 5.4 Are these genuine properties?- 5.5 Reasons and ‘new evidence’ -- 5.6 Are these new properties?- 5.7 Making sense of the past -- 5.8 Oeuvre, action and understanding -- 5.9 Genre and artistic intention -- 5.10 An argument against any historicism -- 5.11 Historical character and understanding — some realism -- Chapter Six: The Republic of Art: A Plausible Institutional Account of Art?- 6.1 The idea of an institutional concept -- 6.2 Sketch of an institutional account of art -- 6.3 A more plausible (than Dickie’s) account of art -- 6.4 Topics for criticism -- 6.5 Does Dickie’s later theory fare better?- 6.6 Wollheim’s criticism -- 6.7 Critical reflections -- 6.8 Can the institution be wrong?- 6.9 The Friends of Jones. 6.10 What the account offers. Chapter Seven: Conclusion -- 7.1 The framework: a summary -- 7.2 The aesthetic reconsidered -- 7.3 Envoi: The Muscular Aesthetic.
520 ## - NOTA DE RESUMEN, ETC.
Summary, etc. Artistic Judgement sketches a framework for an account of art suitable to philosophical aesthetics. It stresses differences between artworks and other things; and locates the understanding of artworks both in a narrative of the history of art and in the institutional practices of the art world. Hence its distinctiveness lies in its strong account of the difference between, on the one hand, the judgement and appreciation of art and, on the other, the judgement and appreciation of all the other things in which we take an aesthetic interest. For only by acknowledging this contrast can one do justice to the importance regularly ascribed to art. The contrast is explained by appealing to an occasion-sensitive account of understanding, drawn from Charles Travis directly, but with Gordon Baker (and Wittgenstein) as also proximate rather than remote. On this basis, it argues, first, that we need to offer accounts of key topics only as far as questions might be raised in respect of them (hence, not exceptionlessly); and, second, that we should therefore defend the view that the meaning of artworks can be changed by later events (the historical character of art, or forward retroactivism) and that art has an institutional character, understood broadly on the lines of Terry Diffey’s Republic of Art. Besides providing a general framework, Artistic Judgement also explores the applications of the ideas to specific artworks or classes of them.
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650 #0 - ASIENTO SECUNDARIO DE MATERIA - TERMINO TEMÁTICO
Topical term or geographic name as entry element Philosophy (General).
650 #0 - ASIENTO SECUNDARIO DE MATERIA - TERMINO TEMÁTICO
Topical term or geographic name as entry element Aesthetics.
650 #0 - ASIENTO SECUNDARIO DE MATERIA - TERMINO TEMÁTICO
Topical term or geographic name as entry element Arts.
650 14 - ASIENTO SECUNDARIO DE MATERIA - TERMINO TEMÁTICO
Topical term or geographic name as entry element Philosophy.
650 24 - ASIENTO SECUNDARIO DE MATERIA - TERMINO TEMÁTICO
Topical term or geographic name as entry element Aesthetics.
650 24 - ASIENTO SECUNDARIO DE MATERIA - TERMINO TEMÁTICO
Topical term or geographic name as entry element Arts.
710 2# - ASIENTO SECUNDARIO - NOMBRE CORPORATIVO
Corporate name or jurisdiction name as entry element SpringerLink (Online service)
773 0# - HOST ITEM ENTRY
Title Springer eBooks
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Printed edition:
International Standard Book Number 9789400700307
830 #0 - ASIENTO SECUNDARIO DE SERIE--TITULO UNIFORME
Uniform title Philosophical Studies Series ;
Volume number/sequential designation 115
856 40 - LOCALIZACIÓN Y ACCESO ELECTRÓNICOS
Public note Libro electrónico
Uniform Resource Identifier <a href="http://148.231.10.114:2048/login?url=http://link.springer.com/book/10.1007/978-94-007-0031-4">http://148.231.10.114:2048/login?url=http://link.springer.com/book/10.1007/978-94-007-0031-4</a>
942 ## - TIPO DE MATERIAL (KOHA)
Koha item type Libro Electrónico
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