Childsplay : the art of Allan Kaprow / Jeff Kelley ; with a foreword by David Antin.

Por: Kelley, JeffColaborador(es): Kaprow, AllanTipo de material: TextoTextoDetalles de publicación: Berkeley : University of California Press, c2004Descripción: xxi, 249 p. : ill. (some col.) ; 25 cmISBN: 0520236718; 9780520236714Otro título: Child's playTema(s): Kaprow, Allan -- Criticism and interpretation | Happening (Art) -- United States | Conceptual art -- United States | Happenings | Kaprow, Allan -- Critique et interprétation | Happening -- États-Unis | Art conceptuel -- États-Unis | Kaprow, Allan, 1927- | Art conceptuel | Happening | Kaprow, Allan, 1927-2006Clasificación CDD: 700/.92 Clasificación LoC:N6537.K27 | K45 2004Otra clasificación: 21.99 Recursos en línea: Contributor biographical informationTexto | Publisher descriptionTexto | Table of contentsTexto
Contenidos:
Allan at work / David Antin -- Sweeping the stage -- John Dewey and the ranch -- A prelude -- Eighteen happenings in six parts -- Happenings in the New York scene -- Hoopla -- On the road -- Passing through -- The education of the un-artist, I -- The education of the un-artist, II -- The education of the un-artist, III -- Zen -- Storytelling -- Rehearsals.
Revisión: "Allan Kaprow has been described as an avant-garde revolutionary, a radical sociologist, a Zen(ish) monk, a progressive educator, and an anti-art theorist. As this book reminds us, however, he has also been an influential artist. Known for his "Happenings," Kaprow created vanguard performances in the early 1960s in which he collaged various art forms (painting, music, dance), disguised as ordinary things (newspapers, noise, body movement), into quasi-theatrical events. In the decades since, his works have remained open to the changing character of contemporary experience, always seeking the thresholds at which art and life converge. Because this art places such emphasis on direct experience, some people today think Kaprow's works were primarily transitory and immaterial. Childsplay corrects that misconception by providing a description of Kaprow's Happenings and other art activities, clarifying their materiality, duration, and setting, as well as the ways in which people participated in them. Jeff Kelley brings the artist, his era, and his work to life by showing that Kaprow's artworks were physically present, socially engaged, and intellectually resonant in the moment of their enactment."--BOOK JACKET.
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Tipo de ítem Biblioteca actual Colección Signatura Copia número Estado Fecha de vencimiento Código de barras
Libro Libro Biblioteca Central Tijuana
Acervo General N6537.K27 K45 2004 (Browse shelf(Abre debajo)) 1 Disponible TIJ086765

Includes bibliographical references and index.

Allan at work / David Antin -- Sweeping the stage -- John Dewey and the ranch -- A prelude -- Eighteen happenings in six parts -- Happenings in the New York scene -- Hoopla -- On the road -- Passing through -- The education of the un-artist, I -- The education of the un-artist, II -- The education of the un-artist, III -- Zen -- Storytelling -- Rehearsals.

"Allan Kaprow has been described as an avant-garde revolutionary, a radical sociologist, a Zen(ish) monk, a progressive educator, and an anti-art theorist. As this book reminds us, however, he has also been an influential artist. Known for his "Happenings," Kaprow created vanguard performances in the early 1960s in which he collaged various art forms (painting, music, dance), disguised as ordinary things (newspapers, noise, body movement), into quasi-theatrical events. In the decades since, his works have remained open to the changing character of contemporary experience, always seeking the thresholds at which art and life converge. Because this art places such emphasis on direct experience, some people today think Kaprow's works were primarily transitory and immaterial. Childsplay corrects that misconception by providing a description of Kaprow's Happenings and other art activities, clarifying their materiality, duration, and setting, as well as the ways in which people participated in them. Jeff Kelley brings the artist, his era, and his work to life by showing that Kaprow's artworks were physically present, socially engaged, and intellectually resonant in the moment of their enactment."--BOOK JACKET.

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