From Snapshots to Social Media - The Changing Picture of Domestic Photography [recurso electrónico] / by Risto Sarvas, David M. Frohlich.

Por: Sarvas, Risto [author.]Colaborador(es): Frohlich, David M [author.] | SpringerLink (Online service)Tipo de material: TextoTextoSeries Computer Supported Cooperative WorkEditor: London : Springer London, 2011Descripción: XI, 201 p. online resourceTipo de contenido: text Tipo de medio: computer Tipo de portador: online resourceISBN: 9780857292476Tema(s): Computer science | Computer Science | User Interfaces and Human Computer Interaction | Computers and Society | Computer ApplicationsFormatos físicos adicionales: Printed edition:: Sin títuloClasificación CDD: 005.437 | 4.019 Clasificación LoC:QA76.9.U83QA76.9.H85Recursos en línea: Libro electrónicoTexto
Contenidos:
Acknowledgements -- Introduction -- Domestic Photography and Technological Paths -- The Portrait Path (ca. 1830s-1890s) -- The Kodak Path (ca.1888-1990s) -- The Digital Path (ca.1990) -- Digital Photo Adoption -- The Future of Domestic Photography -- Future Research -- List of Figures -- Bibliography.
En: Springer eBooksResumen: From Snapshots to Social Media describes the history and future of domestic photography as mediated by technological change. Domestic photography refers to the culture of ordinary people capturing, sharing and using photographs, and is in a particular state of flux today as photos go digital. The book argues that this digital era is the third major chapter in the 170 year history of the area; following the portrait and Kodak eras of the past. History shows that despite huge changes in photographic technology and the way it has been sold, people continue to use photographs to improve memory, support communication and reinforce identity. The future will involve a shift in the balance of these core activities and a replacement of the family album with various multimedia archives for individuals, families and communities. This raises a number of issues that should be taken into account when designing new technologies and business services in this area, including: the ownership and privacy of content, multimedia standards, home ICT infrastructure, and younger and older users of images.   The book is a must for designers and engineers of imaging technology and social media who want a better understanding of the history of domestic photography in order to shape its future. It will also be of value to students and researchers in science and technology studies and visual culture, as a fascinating case study of the evolving use of photographs and photographic technology in Western society.
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Tipo de ítem Biblioteca actual Colección Signatura Copia número Estado Fecha de vencimiento Código de barras
Libro Electrónico Biblioteca Electrónica
Colección de Libros Electrónicos QA76.9 .U83 (Browse shelf(Abre debajo)) 1 No para préstamo 370526-2001

Acknowledgements -- Introduction -- Domestic Photography and Technological Paths -- The Portrait Path (ca. 1830s-1890s) -- The Kodak Path (ca.1888-1990s) -- The Digital Path (ca.1990) -- Digital Photo Adoption -- The Future of Domestic Photography -- Future Research -- List of Figures -- Bibliography.

From Snapshots to Social Media describes the history and future of domestic photography as mediated by technological change. Domestic photography refers to the culture of ordinary people capturing, sharing and using photographs, and is in a particular state of flux today as photos go digital. The book argues that this digital era is the third major chapter in the 170 year history of the area; following the portrait and Kodak eras of the past. History shows that despite huge changes in photographic technology and the way it has been sold, people continue to use photographs to improve memory, support communication and reinforce identity. The future will involve a shift in the balance of these core activities and a replacement of the family album with various multimedia archives for individuals, families and communities. This raises a number of issues that should be taken into account when designing new technologies and business services in this area, including: the ownership and privacy of content, multimedia standards, home ICT infrastructure, and younger and older users of images.   The book is a must for designers and engineers of imaging technology and social media who want a better understanding of the history of domestic photography in order to shape its future. It will also be of value to students and researchers in science and technology studies and visual culture, as a fascinating case study of the evolving use of photographs and photographic technology in Western society.

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