Auditory and Visual Sensations [recurso electrónico] / by Yoichi Ando.

Por: Ando, Yoichi [author.]Colaborador(es): SpringerLink (Online service)Tipo de material: TextoTextoEditor: New York, NY : Springer New York, 2010Descripción: XXV, 340 p. online resourceTipo de contenido: text Tipo de medio: computer Tipo de portador: online resourceISBN: 9781441901729Tema(s): Physics | Human physiology | Acoustics | Psychology, clinical | Physics | Acoustics | Signal, Image and Speech Processing | Neuropsychology | Human Physiology | Biophysics and Biological PhysicsFormatos físicos adicionales: Printed edition:: Sin títuloClasificación CDD: 534 Clasificación LoC:QC221-246Recursos en línea: Libro electrónicoTexto
Contenidos:
I Temporal and Spatial Sensations in the human auditory system -- Temporal and Spatial Aspects of Sounds and Sound Fields -- Subjective Preferences for Sound Fields -- Electrical and Magnetic Responses in the Central Auditory System -- Model of Temporal and Spatial Factors in the Central Auditory System -- Temporal Sensations of the Sound Signal -- Spatial Sensations of Binaural Signals -- Applications (I) – Music and Concert Hall Acoustics -- Applications (II) – Speech Reception in Sound Fields -- Applications (III) – Noise Measurement -- Applications (IV) – Noise Annoyance -- II Temporal and Spatial Sensations in the Human Visual System -- to Visual Sensations -- Temporal and Spatial Sensations in Vision -- Subjective Preferences in Vision -- EEG and MEG Correlates of Visual Subjective Preferences -- Summary of Auditory and Visual Sensations.
En: Springer eBooksResumen: Professor Yoichi Ando, acoustic architectural designer of the Kirishima International Concert Hall in Japan, presents a comprehensive rational-scientific approach to designing performance spaces. His theory is based on systematic psychoacoustical observations of spatial hearing and listener preferences, whose neuronal correlates are observed in the neurophysiology of the human brain. A correlation-based model of neuronal signal processing in the central auditory system is proposed in which temporal sensations (pitch, timbre, loudness, duration) are represented by an internal autocorrelation representation, and spatial sensations (sound location, size, diffuseness related to envelopment) are represented by an internal interaural crosscorrelation function. Together these two internal central auditory representations account for the basic auditory qualities that are relevant for listening to music and speech in indoor performance spaces. Observed psychological and neurophysiological commonalities between auditory and visual sensations and preference patterns are presented and discussed. This book thus spans the disciplines of physics, acoustics, psychology, neurophysiology, and music production, thereby blending science, engineering, and art.
Star ratings
    Valoración media: 0.0 (0 votos)
Existencias
Tipo de ítem Biblioteca actual Colección Signatura Copia número Estado Fecha de vencimiento Código de barras
Libro Electrónico Biblioteca Electrónica
Colección de Libros Electrónicos QC221 -246 (Browse shelf(Abre debajo)) 1 No para préstamo 371094-2001

I Temporal and Spatial Sensations in the human auditory system -- Temporal and Spatial Aspects of Sounds and Sound Fields -- Subjective Preferences for Sound Fields -- Electrical and Magnetic Responses in the Central Auditory System -- Model of Temporal and Spatial Factors in the Central Auditory System -- Temporal Sensations of the Sound Signal -- Spatial Sensations of Binaural Signals -- Applications (I) – Music and Concert Hall Acoustics -- Applications (II) – Speech Reception in Sound Fields -- Applications (III) – Noise Measurement -- Applications (IV) – Noise Annoyance -- II Temporal and Spatial Sensations in the Human Visual System -- to Visual Sensations -- Temporal and Spatial Sensations in Vision -- Subjective Preferences in Vision -- EEG and MEG Correlates of Visual Subjective Preferences -- Summary of Auditory and Visual Sensations.

Professor Yoichi Ando, acoustic architectural designer of the Kirishima International Concert Hall in Japan, presents a comprehensive rational-scientific approach to designing performance spaces. His theory is based on systematic psychoacoustical observations of spatial hearing and listener preferences, whose neuronal correlates are observed in the neurophysiology of the human brain. A correlation-based model of neuronal signal processing in the central auditory system is proposed in which temporal sensations (pitch, timbre, loudness, duration) are represented by an internal autocorrelation representation, and spatial sensations (sound location, size, diffuseness related to envelopment) are represented by an internal interaural crosscorrelation function. Together these two internal central auditory representations account for the basic auditory qualities that are relevant for listening to music and speech in indoor performance spaces. Observed psychological and neurophysiological commonalities between auditory and visual sensations and preference patterns are presented and discussed. This book thus spans the disciplines of physics, acoustics, psychology, neurophysiology, and music production, thereby blending science, engineering, and art.

19

Con tecnología Koha