Unworking choreography : the notion of the work in dance / Frédéric Pouillaude ; traductor, Anna Pakes.
Tipo de material:
TextoIdioma: Inglés Lenguaje original: Francés Series Oxford studies in dance theoryDetalles de publicación: New York, NY : Oxford University Press, 2017Descripción: xxviii, 348 p. : il. ; 25 cmISBN: 9780199314652 (paperback); 9780199314645 (cloth)Tema(s): Danza -- Estética | Danza -- Filosofía | Artes escénicas -- Danza -- Notación | filosofía -- Mente y cuerpo | Música -- Géneros y estilos -- DanzaClasificación LoC:GV1588.3 | P6813 2017Resumen: " There is no archive or museum of human movement, no place where choreographies can be collected and conserved in pristine form. The central consequence of this is the incapacity of philosophy and aesthetics to think of dance as a positive and empirical art. In the eyes of philosophers, dance refers to a space other than art, considered both more frivolous and more fundamental than the artwork without ever quite attaining the status of a work. Unworking Choreography develops this idea and postulates an unworking as evidenced by a conspicuous absence of references to actual choreographic works within philosophical accounts of dance; the late development and partial dominance of the notion of the work in dance in contrast to other art forms such as painting, music, and theatre; the difficulties in identifying dance works given a lack of scores and an apparent resistance within the art form to the possibility of notation; and the questioning of ends of dance in contemporary practice and the relativisation of the very idea that dance artistic or choreographic processes aim at work production. "-- Provided by publisher.Resumen: "Unworking Choreography considers the construct of dance as space versus art and postulates an unworking. This is evidenced by a conspicuous absence of references to actual choreographic works within philosophical accounts of dance; the late development and partial dominance of the notion of the work in dance in contrast to other art forms such as painting, music, and theatre; the difficulties in identifying dance works given a lack of scores and an apparent resistance within the art form to the possibility of notation; and the questioning of ends of dance in contemporary practice and the relativisation of the very idea that dance artistic or choreographic processes aim at work production"-- Provided by publisher.
| Tipo de ítem | Biblioteca actual | Colección | Signatura | Copia número | Estado | Fecha de vencimiento | Código de barras |
|---|---|---|---|---|---|---|---|
Libro
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Facultad de Artes Mexicali | Acervo General | GV1588.3 P6813 2017 (Browse shelf(Abre debajo)) | 1 | Disponible | ART004899 |
Navegando Facultad de Artes Mexicali Estantes, Código de colección: Acervo General Cerrar el navegador de estanterías (Oculta el navegador de estanterías)
| GV1588 H68 2017 Dance conditioning : | GV1588 F7318 2006 Danza : acondicionamiento físico / | GV1588 F7318 2006 Danza : acondicionamiento físico / | GV1588.3 P6813 2017 Unworking choreography : | GV1588.3 A5318 2010 El cuerpo suspendido : | GV1588.5 A53 2013 La danza entendida desde una perspectiva psicológica / | GV1588.6 I58 2017 An introduction to community dance practice / |
Traducción de: Le désœuvrement chorégraphique.
Incluye referencias bibliográficas
" There is no archive or museum of human movement, no place where choreographies can be collected and conserved in pristine form. The central consequence of this is the incapacity of philosophy and aesthetics to think of dance as a positive and empirical art. In the eyes of philosophers, dance refers to a space other than art, considered both more frivolous and more fundamental than the artwork without ever quite attaining the status of a work. Unworking Choreography develops this idea and postulates an unworking as evidenced by a conspicuous absence of references to actual choreographic works within philosophical accounts of dance; the late development and partial dominance of the notion of the work in dance in contrast to other art forms such as painting, music, and theatre; the difficulties in identifying dance works given a lack of scores and an apparent resistance within the art form to the possibility of notation; and the questioning of ends of dance in contemporary practice and the relativisation of the very idea that dance artistic or choreographic processes aim at work production. "-- Provided by publisher.
"Unworking Choreography considers the construct of dance as space versus art and postulates an unworking. This is evidenced by a conspicuous absence of references to actual choreographic works within philosophical accounts of dance; the late development and partial dominance of the notion of the work in dance in contrast to other art forms such as painting, music, and theatre; the difficulties in identifying dance works given a lack of scores and an apparent resistance within the art form to the possibility of notation; and the questioning of ends of dance in contemporary practice and the relativisation of the very idea that dance artistic or choreographic processes aim at work production"-- Provided by publisher.
