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020 _a9789048124718
_9978-90-481-2471-8
040 _cMX-MeUAM
050 4 _aBH1-301
082 0 4 _a111.85
_223
100 1 _aSepp, Hans Rainer.
_eeditor.
245 1 0 _aHandbook of Phenomenological Aesthetics
_h[recurso electrónico] /
_cedited by Hans Rainer Sepp, L. Embree.
264 1 _aDordrecht :
_bSpringer Netherlands,
_c2010.
300 _aXXX, 383p.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 1 _aContributions To Phenomenology,
_x0923-9545 ;
_v59
505 0 _aAesthetic Experience -- Aisthesis -- Appearance -- Architecture -- Antonio Banfi -- Beauty -- Simone de Beauvoir -- Oskar Becker -- Chinese Aesthetics -- Waldemar Conrad (1878–1915) -- Creativity -- Cubism -- Dance -- Jacques Derrida (1930–2004) -- Dream -- Mikel Dufrenne (1910–1995) -- Ecological Aesthetics -- Empathy -- Enjoyment -- Fashion -- Film -- Eugen Fink (1905–1975) -- Hans-Georg Gadamer (1900–2002) -- Moritz Geiger (1880–1937) -- Gender Aesthetics -- Nicolai Hartmann (1882??1950) -- Martin Heidegger (1889–1976) -- Michel Henry (1922–2002) -- Dietrich von Hildebrand (1889–1977) -- Edmund Husserl (1859–1938) -- Imagination -- India and Intercultural Aesthetics -- Roman Ingarden (1893–1970) -- Japanese Worlds -- Fritz Kaufmann (1891–1958) -- Emmanuel Levinas (1906–1995) -- Literature -- Henri Maldiney (1912–) -- Jean-Luc Marion (1946–) -- Media -- Maurice Merleau-Ponty (1908–1961) -- Metaphor -- Methodology -- Music -- Maurice Natanson (1924–1996) -- Nature -- NISHIDA Kitaro (1870–1945) -- José Ortega y Gasset (1883–1955) -- Painting -- Jan Pato?ka (1907–1977) -- Photography -- Play -- Political Culture -- Religion -- Representation -- Marc Richir (1943–) -- Paul Ricoeur (1913–2005) -- Heinrich Rombach (1923–2004) -- Jean-Paul Sartre (1905–1980) -- Max Scheler (1874–1928) -- Hermann Schmitz (1928–) -- Alfred Schutz (1899–1959) -- Secondary Senses -- Gustav Gustavovich Špet (1879–1937) -- Style -- Theater -- France Veber (1890–1975) -- Virtual Reality -- Work of Art.
520 _aThe potentiality of phenomenological aesthetics is enormous, many figures have contributed to it during a time span of over a century, but this is the first work thoroughly to show its breadth, depth, and continuing fecundity. Moritz Geiger, Roman Ingarden, Fritz Kaufmann, Jean-Paul Sartre, Maurice Merleau-Ponty, and Mikel Dufrenne are the central figures and receive substantial treatment. A score of other influential individuals, including Antonio Banfi, Simone de Beauvoir, Oskar Becker, Jacques Derrida, Hans-Georg Gadamer, Martin Heidegger, Michel Henry, Dietrich von Hildebrand, Maurice Natanson, Nishida Kitaro, Jose Ortega y Gasset, Jan Patocka, Paul Ricoeur, Heinrich Rombach, Max Scheler, Alfred Schutz, Gustav Spet, and France Veber also have entries devoted to them. In addition, there are over two dozen entries on such topics such as dream, empathy, enjoyment, imagination, sensation, on style, ecology, gender, and interculturality, and then on areas including architecture, film, and theater. The introduction includes an extensive sketch of the history of phenomenological investigation in this sub-discipline of philosophy. All entries are written by the best relevant specialists, all the entries have bibliographies, and a selected bibliography for the whole is appended. This handbook will be the foundation for many more decades of investigation.
650 0 _aPhilosophy (General).
650 0 _aAesthetics.
650 0 _aPhilosophy, modern.
650 0 _aPhenomenology.
650 1 4 _aPhilosophy.
650 2 4 _aAesthetics.
650 2 4 _aPhenomenology.
650 2 4 _aPhilosophy.
650 2 4 _aModern Philosophy.
650 2 4 _aHistory of Philosophy.
700 1 _aEmbree, L.
_eeditor.
710 2 _aSpringerLink (Online service)
773 0 _tSpringer eBooks
776 0 8 _iPrinted edition:
_z9789048124701
830 0 _aContributions To Phenomenology,
_x0923-9545 ;
_v59
856 4 0 _zLibro electrónico
_uhttp://148.231.10.114:2048/login?url=http://link.springer.com/book/10.1007/978-90-481-2471-8
596 _a19
942 _cLIBRO_ELEC
999 _c205324
_d205324