A history of experimental film and video : from the canonical avant-garde to contemporary British practice / A.L. Rees.

Por: Rees, A. LTipo de material: TextoTextoDetalles de publicación: [Houndmills, Basingstoke, Hampshire] : London : Palgrave Macmillan ; British Film Institute, 2011Edición: 2nd edDescripción: xii, 196 p., [16] p. of plates : ill. (some col.) ; 24 cmISBN: 9781844574360 (pbk.); 1844574369 (pbk.)Tema(s): Experimental films -- History and criticism | Experimental films -- Great Britain -- History and criticismClasificación LoC:PN1995.9.E96 | R39 2011
Contenidos:
Machine generated contents note: -- Contents -- Acknowledgements -- List of Illustrations -- Preface -- Introduction -- Sitting the Avant-Garde -- Vision Machine -- Time Base -- Point of View -- Modernisms -- PART I: TTHE CANONICAL AVANT-GARDE -- Origins of the Moving Image (1780-1880) -- Photography -- Art and the Avant-Garde: Summary 1909-20 -- The Cubists -- Primitives and Pioneers (1880-1915) -- Futurists -- Abstract Film -- The Comic Burlesque -- The Art Cinema and its Circuit -- Cine-Poems and Lyric Abstraction -- Origins of Abstract Film -- The Absolute Film -- Cubism and Poular Film -- Dada and Surrealist Film -- The French Avant-Garde 1924-32 -- Voice and Vision in the Pre-War Avant-Garde -- Transition: into the 1930s and Documentary -- Reviewing the First Avant-Garde -- Underground -- Two Avant-Gardes (Mark 1)? -- Structural -- PART II: BRITAIN, 1966-98 -- English Structuralists -- Primitives and Post-Structralists -- Video Stirs -- Art and Politics -- A cinema of Small Gestures -- Rebel Waves -- Art Cinema's Odd Couple: Derek Jarman and Peter Greenaway -- New Pluralism -- Black British -- Electronic Arts -- yBa -- "Where are we now?" -- Points of Resistance -- Notes -- Bibliography -- Index.
Resumen: "This new edition covers the history of avante-garde film and video, ranging from Cezanne and dada, via Cocteau, Brakhage and Le Grice, to the new wave of British video artists in the 1990s. The author also reconstitutes the avante-garde film as an independent form of art practice with its own internal logic and aesthetic discourse"-- Provided by publisher.
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Existencias
Tipo de ítem Biblioteca actual Colección Signatura Copia número Estado Fecha de vencimiento Código de barras
Libro Libro Biblioteca Central Tijuana
Acervo General PN1995.9.E96 R39 2011 (Browse shelf(Abre debajo)) 1 Disponible TIJ108174
Libro Libro Biblioteca Central Tijuana
Acervo General PN1995.9.E96 R39 2011 (Browse shelf(Abre debajo)) 2 Disponible TIJ108175
Navegando Biblioteca Central Tijuana Estantes, Código de colección: Acervo General Cerrar el navegador de estanterías (Oculta el navegador de estanterías)
PN1995.9.D6 B3718 1996 El documental : historia y estilos / PN1995.9.E89 R58 2012 Eutanasia y cine / PN1995.9.E96 R39 2011 A history of experimental film and video : PN1995.9.E96 R39 2011 A history of experimental film and video : PN1995.9.G39 J3518 1995 La estética geopolítica : PN1995.9.H83 A54 2012 Star Trek y los derechos humanos / PN1995.9.H86 R85 2012 La huelga y el cine :

"This new edition covers the history of avante-garde film and video, ranging from Cezanne and dada, via Cocteau, Brakhage and Le Grice, to the new wave of British video artists in the 1990s. The author also reconstitutes the avante-garde film as an independent form of art practice with its own internal logic and aesthetic discourse"-- Provided by publisher.

Includes bibliographical references and index.

Machine generated contents note: -- Contents -- Acknowledgements -- List of Illustrations -- Preface -- Introduction -- Sitting the Avant-Garde -- Vision Machine -- Time Base -- Point of View -- Modernisms -- PART I: TTHE CANONICAL AVANT-GARDE -- Origins of the Moving Image (1780-1880) -- Photography -- Art and the Avant-Garde: Summary 1909-20 -- The Cubists -- Primitives and Pioneers (1880-1915) -- Futurists -- Abstract Film -- The Comic Burlesque -- The Art Cinema and its Circuit -- Cine-Poems and Lyric Abstraction -- Origins of Abstract Film -- The Absolute Film -- Cubism and Poular Film -- Dada and Surrealist Film -- The French Avant-Garde 1924-32 -- Voice and Vision in the Pre-War Avant-Garde -- Transition: into the 1930s and Documentary -- Reviewing the First Avant-Garde -- Underground -- Two Avant-Gardes (Mark 1)? -- Structural -- PART II: BRITAIN, 1966-98 -- English Structuralists -- Primitives and Post-Structralists -- Video Stirs -- Art and Politics -- A cinema of Small Gestures -- Rebel Waves -- Art Cinema's Odd Couple: Derek Jarman and Peter Greenaway -- New Pluralism -- Black British -- Electronic Arts -- yBa -- "Where are we now?" -- Points of Resistance -- Notes -- Bibliography -- Index.

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